How to fast Indexing Search Engine to website / blog

1. Create a link on that page is indexing search engines to the direction of our new website. We emulate the profile (for example: “www.friendster.com / okam” is a good example to link to the blog or our website. Because this page usually has terindeks search engine. The higher the position of the pages in search engines (PageRank) means the more quickly we terindeks new webiste.
You can contact your friend is terindeks the blog search engines to install a link to you.
* If the profile / emulate in your blog / Multiply terindeks already, you can install a link in your profile is.
* Every fill your blog. Google Analytic is a plug-in idea will always monitor your activities.
2. Submit manually through the following URL (FREE):
* Google: http://www.google.com/addurl.html
* Yahoo: http://search.yahoo.com/info/submit.html
* AltaVista: http://www.altavista.com/addurl/
* DMOZ / ODP: http://www.dmoz.org/add.html
* Alexa: http://www.alexa.com/support/get_archive.html
* MSN: http://search.msn.com/docs/submit.aspx
3. Submit the URL pay:
* Lycos: http://home.lycos.com/addasite.html
4. Before downloading you submit the URL of your website, make sure that:
* Website or blog so you have (not under construction).
* There are no dead links in your website.
* Website or made to your search engine friendly.

After you submit your URL, wait with patience. If the website you will be lucky terindeks in less than 24 hours, if not prosper you must wait 3 months, possibly even your application is not accepted Search Engine. You can re-submit if within 3 months of your website not appear in search engines.

What should be done during the wait? Building the link. Can be suddenly your website because nongol not submit manually, but because of a link from another website.

Congratulations to try.

Free Chart and Graph Solutions

Charts and graphs help the user to visualise data in a more meaningfull way than rows of text statistics. They are extensively used in reporting applications, for displaying earnings, website traffic etc - here we take a look at some pre-made scripts and frameworks available to the web designer or web application developer …

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Open Flash Chart - Open Flash Chart, is open source. It is free to use and you get the source code to fiddle with

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amCharts - Pie and donut charts, line and area charts, column and bar charts, scatter and bubble charts and an interactive map tool are all free for download

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Php / Swf Charts - PHP/SWF Charts is a simple, yet powerful PHP tool to create attractive web charts and graphs from dynamic data. Use PHP scripts to generate or gather the data from databases, then pass it to this tool to generate Flash (swf) charts and graphs. Any other scripting language (ASP, CFML, Perl, etc.) can be used with XML/SWF Charts (the XML version of the same tool.)

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Fusion Charts Free - FusionCharts Free is a flash charting component that can be used to render data-driven & animated charts for your web applications and presentations

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Yahoo! UI Library: Charts - The YUI Charts Control visualizes tabular data on a web page in several possible formats including vertical columns, horizontal bars, lines, and pies. Notable features include support for the DataSource Utility, customizable series and axes, a customizable mouse-over datatip, combination charts, and skinning

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Flot - Flot is a pure Javascript plotting library for jQuery. It produces graphical plots of arbitrary datasets on-the-fly client-side. The focus is on simple usage (all settings are optional), attractive looks and interactive features like zooming

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SAC - Simple accessible charts, An easy, fast and accessible way to display simple Data and beautify them with CSS. Works fine in FF, IE 7/6, Opera 9 tested on WIN XP

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Similie - Timeplot is a DHTML-based AJAXy widget for plotting time series and overlay time-based events over them (with the same data formats that Timeline supports)

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PlotKit - PlotKit is a Chart and Graph Plotting Library for Javascript. It has support for HTML Canvas and also SVG via Adobe SVG Viewer and native browser support

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Libchart - Libchart is a free chart creation PHP library, that is easy to use

Click here for source

6 Creative Reasons for Applying Blur to Photos

Blurring, at it’s most fundamental level is the softening of an image. It is standard procedure to use a very slight blur on photos straight off your digital camera as often they are overly sharp. Sharpness, of course, isn’t a bad thing but it is more beneficially applied at the end of your retouching sessions than at the beginning.

There are many other (more creative) uses for blur though. Here are some examples.

To Imply Depth

Depth of field looks best when done in the camera, but when compositing photographs, you can imply distance and depth by blurring further away objects.

To Make Type More Readable

Setting type over a busy image can make the type hard to read. Blurring the image behind the type can make it more readable and make for a nice effect. Look at this example from PSDTuts.

To Imply Speed

Even if the object in a photo is in perfect focus, applying a direction (or “motion”) blur can imply speed.

For An Appealing Background Image

Photoshop offers some interesting blur effects with their “Shape Blur” filter. Look how the martini splashes turn into squares here, which could make for a very nice background image.

For A Surreal Feeling

Selective blurring like the “Surface Blur” filter in Photoshop can apply really nice effects to some photos. See below how this effect makes the football players seems surreal with some areas blurry and some sharply in focus.

For An Illustrative or Cartoony Feel

Another selective blurring filter in Photoshop is the Smart Blur filter. This is good for removing fine detail in areas of similar color while keeping edges sharp. This can make for a very nice illustrative effect on photos or even cartoon-like in it’s extreme.

Click here for source

Create Temperature Converter with VB

With winter around and daily temperature change has become a concern for many people especially those who travel a lot. They are constantly checking out temperature readings everyday However, different parts of the world often use different temperature scales, some of them use Fahrenheit and some use Celsius, so the readings can be confusing. Therefore, it is nice if we have a program that can convert Celsius to Fahrenheit and vice versa. And I have done just that using Visual Basic 6. The code is like this:

Private Sub Command1_Click()
Dim cel, Fah As Single
cel = Val(txtC.Text)
Fah = Val(txtF.Text)

If txtC.Text <> “” And txtF = “” Then
Fah = ((9 / 5) * cel + 32)
txtF.Text = Round(Fah, 1)
Else
cel = (5 / 9) * (Fah - 32)
txtC.Text = Round(cel, 1)
End If

End Sub

Private Sub Command2_Click()
txtC.Text = “”
txtF.Text = “”

End Sub

click here for source

Creating A Simple Web Browser

Basically everyone have to navigate the Internet using commercially produced web browsers such the Internet Explorer produced by Microsoft or those open source browsers designed by the experts such FireFox , Opera and the latest Chrome created by Google. However, isn’t it cool that if we can create our very own web browser that we can customize to our own taste ? Yes, you can do that in VB2008, and pretty easy too. In this chapter, I will show you how to create a simple web browser and get it running at in a few minutes. In the next chapter, I will show you how to add more features and functions to your existing web browser to make a more sophisticated one.

First of all, start a new project in VB2008 and name it with any name you like. Here I am just using the name webbrowser. Change the name of Form1 to webbrowser and the text property to My First Web Browser and set its size property to 640,480. Next, you need to add an engine so that your web browser can connect to the Internet, and this very engine is the WebBrowser control, located on the Toolbox on the left side, set the size property to 600,400. Next, drag a text box and place it at the bottom of the WebBrowser control, this will be the address bar where the user can enter the URL. Lastly, place a command button beside the text box and label it as Go. The design interface is shown below:

Figure 19.1: The Design Interface

The code for the web browser is surprisingly simple, it is only a single line code! Double click on the Go button and key in the following code:

Public Class Form1

Private Sub Button1_Click(ByVal sender As System.Object, ByVal e As System.EventArgs) Handles Button1.Click

myWebBrowser.Navigate(TextBox1.Text)

End Sub

End Class

Now run the the program , type in any URL and click the Go button. You will be able to browse any web page you want.

Figure 19.2: The Runtime Interface

click here for source

Gmail Rolls Out Themes

A couple of months ago it was mentioned here that Google’s web mail client Gmail might get themes, like a black-and-green terminal view, and the waiting time seems to be over soon – Google announced they’ve started to roll out this feature. While I don’t see it in my Gmail yet (the screenshots in this post are courtesy of Andris and Google), it’s supposed to be added to a Themes tab in your settings. Note some themes are dynamic and may change throughout different times of the day. “We’ve also done a minor facelift to Gmail’s default look,” Google adds.

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Google’s Life Photo Archive

Google together with Life magazine has published a photo archive of, according to Google, around 2 million photos (with around 8 million supposed to be released in the future). Many of these photos have never before been published, Google says. The actual search behind this is a regular Google image but with the parameter source:life in the query.

Colin in the forum writes “This is pretty cool to be able to browse through each decade of pictures” but notes you’re “limited to 200 results per search”. Colin adds:

Once you click on any photo result, it will load a landing page giving you more details about that photo and the chance to rate the photo with up to a 5 star rating. You can then click on the photo to view an even larger version. I hope over time they remove the 200 result limit. Otherwise you have to constantly tweak your search query to see any other photographs similar to your query. Besides photographs, they also scanned in TIME magazine covers.

As many photos are quite old, this also means many should have passed into the public domain zone, meaning you may be allowed to copy, edit, and republish that portion of the photos any way you like, including for commercial uses. Wikipedia says that “the copyright in a published work expires in all countries … when … The work was created and first published before January 1, 1923, or at least 95 years before January 1 of the current year, whichever is later”. However, Wikipedia also mentions some exceptions to these rules.

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Skin Retouching Tips In Photoshop CS4

A fellow photographer was showing me some images the other day that he had captured with a camera that uses a plastic lens. The images had a certain attraction.

Although the images had some pretty shocking vignetting and heavy distortion he was drawn to the beautiful liquid smooth tones that the plastic lens was offering up. Most women who look at photographs of themselves would agree that crunchy detail is just not a good look.

A digital camera can be a very cruel tool that can capture way too much information. Most people would prefer their skin to appear smooth, but not featureless, and will thank the photographer when they can reveal a skin texture that does not shout its detail to the viewer.

The craft of professional skin retouching is the ability to render perfect skin without giving your model the appearance of a plastic-fantastic shop window mannequin.

The image used in the project is a section of a larger image from iStockphoto.com (image number 05009631). A 12-megapixel DSLR with a professional grade lens at point blank range and a generous amount of in-camera sharpening is a very cruel combination for showing every minor imperfection in the skin’s surface (check out the nose). The technique in this tutorial can be used at full throttle to render the skin suitable for use in a skin care advertisement, or toned down a little to return the skin to something approaching normal (rather than how the camera lens captured it).

Step 1
Start the process of smoothing the skin by duplicating your background layer using the keyboard shortcut Ctrl + J (PC) or Command + J (Mac) and then go to Filter > Blur > Surface Blur. This filter, unlike the Gaussian Blur filter has a ‘Threshold’ slider that, if used correctly, will leave edges crisp and sharp whilst blurring the surfaces inside the edges. This will ensure there are no nasty haloes around the edges of your subject as a result of the blurring process.

Step 2
It is important to get the balance right between the Radius and the Threshold slider settings for each and every image (there is no one ‘perfect recipe’ that suits every image). To get a feel for what these two sliders do, set them both to a value between 20 and 25. Now move the Radius slider lower until you detect the surface tone becoming ‘mottled’ or ‘blotchy’ and then move it higher again until the surface appears very smooth. Finding the minimum radius that renders the surface smooth is your goal here.

Step 3
Now drag the Threshold slider higher until you see haloes appear around the edges of your subject. Back the slider off to a point where all of the haloes disappear. If you continue to move the slider lower, after the haloes have disappeared, you will start to re-introduce the finer detail that was removed the by the Radius slider. Try to make the surface as smooth as possible at this stage as we will reintroduce the texture of the skin in a later step.

Step 4
Select OK to apply the Surface Blur filter and then hold down the Alt key (PC) or Option key (Mac) and click on the Add layer mask icon at the base of the Layers palette. This will add a layer mask filled with black that conceals the surface blur on Layer 1. Select white as the foreground color in the Tools palette and then choose a soft-edged brush and set the opacity to 60-80% in the Options bar. Paint to reveal the blur in the areas of the skin only. You do not need to be too critical about accuracy as areas of fine detail such as the eyelashes and the contours of the face have already been preserved on the Surface Blur layer. You will, however need to avoid painting over areas such as the lips to ensure fine detail is not lost in these areas. Paint a second time to reveal additional softening where needed.

Step 5
In this step we will eliminate minor imperfections in the skin that the surface blur filter could not smooth over. With the top layer selected hold down the Ctrl + Alt + Shift keys (PC) or Command + Option + Shift keys (Mac) and press the letter E to stamp the visible elements of the project to a new layer. Go to Filter > Noise > Dust & Scratches and set the Threshold slider to 0. Raise the Radius slider just enough to remove any large skin imperfections. Don’t worry about the lack of texture at this point in time.

Step 6
Raise the Threshold slider to reintroduce surface texture but stop just short of the point where the larger skin imperfections start to reappear. Select OK to apply the filter and then hold down the Alt/Option key and click on the ‘Add layer mask’ icon at the base of the Layers palette to conceal the effects of this layer.

Step 7
Select the Brush tool and white as the foreground color in the Tools palette and set the Opacity to 100% in the Options bar. Zoom in to 200% and paint to remove any imperfections. Hold down the Spacebar and click and drag to move the image in the image window so that you can navigate around the surface of the skin to look for additional imperfections. The skin should now be rendered smooth but with realistic surface texture and free from all minor imperfections.

The skin should now be rendered smooth but with realistic surface texture and free from all minor imperfections.

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Using Clipping Masks to Place Images Inside Shapes or Text

One of my favorite options inside Photoshop is clipping masks. Clipping masks can be used for a variety of reasons. They are used to place an image inside text, or to place an image inside a shape. Clipping masks can also be used to edit a selected portion of an image.

In this tutorial, we are going to use a Clipping Mask to place an image inside a shape.

Place Image Inside Shapes

In Photoshop, start a new document. Let’s start with a document size of 800 x 600 with a white background. Our goal is to place a picture of aspen trees inside a leaf shape. To set up a clipping mask, we place the shape below the image. Let’s draw the shape first.

Under the rectangle tool, select the Custom Shape Tool. From the Tool Options bar across the top, click on the down arrow next to the Custom Shape. This opens up the Shapes Panel.

Select Custom Shape

To find a leaf shape, click on the Shapes Panel Menu (arrow at top right of panel) and select Nature to see the nature shapes.

Select Nature Shapes

Select a leaf from the Nature Shape panel.

Select Leaf Shape

In the new document window, click and drag with the shape tool to create the leaf shape. Let’s rotate this leaf. To do this, select Edit/Free Transform (ctrl-t) and click and drag to the right outside the bounding box area to rotate the leaf to the right.

Draw and Rotate Shape

Now that we have the shape, let’s open the image that we want to place inside the shape. After opening the image, move the image into the new document with the move tool (by clicking and dragging on the image) and place the image over the leaf shape.

Place Image over Shape

The layers palette indicates that the image is placed above the shape layer. At this point we cannot see the shape in the new document window since the image is covering up the leaf shape.

Layers Palette

Image Over Shape

The next step is to create the clipping mask which will place the image inside the leaf shape. To do this, make sure the active layer is the image layer and click on the layers palette menu to select Create Clipping Mask.

Create Clipping Mask

This immediately places the image inside the shape below it:

Image Inside Leaf Shape

The layers palette indicates a clipping mask by moving the image to the right and placing a down arrow to the left of the image:

Repeat the steps above to create a second leaf. The only difference in the second leaf is that the leaf is rotated to the left instead of the right. When completed, the layers palette shows the two clipping masks:

Layers Palette

Our final image looks like this:

In the example below, text is used instead of a shape. When placing images inside text, be sure to use a font that has significant width.

Image Inside Text

Clipping masks are non-destructive. This means we can remove the clipping mask if we change our mind. To remove a clipping mask, select the clipping mask layer (the image layer). From the layers palette menu (click on the three lines at the top right of the layers palette), select Release Clipping Mask. This will remove the clipping mask and the entire image will now be visible.

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